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The Fear by Lily Allen (Some Light Satire)

July 21st 2009 07:57
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Perhaps my favourite part of the British Lily Allen's The Fear is that she subverts the use of two cliches ('on the right track' and 'I'm onto a winner'), by throwing them into her extended deadpanning journey through some of her favourite detrimental (non-)afflictions.

Both phrases are popular to hide original thinking behind, and their repeated usage drains the evolution of English language of bonus points. I would like to think that Lily is positing them as futile expressions, which undermine a sense of purpose more than they foster it.

Here's the clip:




Why do I find this interesting? Is it because I find Lily's sense of certainty easier to accept when she's satirising herself? How much of herself is she putting into the satire? How interesting a step towards deconstructing superficial, materialistic, soulless pop culture is it?



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